Shifting from being front and center to an observant spectator, I began to see beyond myself, picking up the art of people-watching. As if placing an invisibility cloak on, I would quietly sink into the blue armchair, discreetly watching peoples’ behavior and interactions with one another. I found myself creating whimsical backstories of circumstance for each passerby, intertwining chance encounters and meaningful exchanges. People-watching not only helped me to become more aware of those around me, was also as an opportunity to explore undiscovered parts of myself.
Essays help us learn about who you are as a person and how you will fit with our community. We seek candidates from a broad range of industries, backgrounds, and cultures. Our distinctive culture is defined by four key principles - Question the Status Quo, Confidence Without Attitude, Students Always, and Beyond Yourself. We encourage you to reflect on your experiences, values, and passions so that you may craft thoughtful and authentic responses that demonstrate your fit with our program - culturally, academically, and professionally.
Below are the required essays, supplemental essays, and optional essays for Fall 2018.
Didion continues to write with as much style and sensitivity as she did in her first collection, her voice refined by a lifetime of experience in self-examination and piercing critical appraisal. She got her start at Vogue in the late fifties, and in 2011, she published an autobiographical essay there that returns to the theme of “yearning for a glamorous, grown up life” that she explored in “Goodbye to All That.” In “ Sable and Dark Glasses ,” Didion’s gaze is steadier, her focus this time not on the naïve young woman tempered and hardened by New York, but on herself as a child “determined to bypass childhood” and emerge as a poised, self-confident 24-year old sophisticate—the perfect New Yorker she never became.